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Print ShopCustom Reproductions From the Barnes Foundation Collection
Henri Matisse, Red Madras Headdress (Le Madras rouge), 1907
Henri Matisse
Pierre-Auguste Renoir, Mussel-Fishers at Berneval, 1879
Pierre-Auguste Renoir
Vincent van Gogh, The Postman (Joseph-Étienne Roulin), 1889
Vincent van Gogh
Claude Monet, The Studio Boat (Le Bateau-atelier), 1876
Claude Monet
Paul Cézanne, The Card Players (Les Joueurs de cartes), 1890-1892
Paul Cézanne
Amedeo Modigliani, Portrait of the Red-Headed Woman (Portrait de la femme rousse), 1918
Amedeo Modigliani

Spotlight: The Barnes Ensembles

To the unassuming student or visitor, the arrangement of the Barnes Foundation's collection can be surprising, confusing, or outright frustrating. This was by design. Dr. Barnes deliberately created a visual environment that would disrupt even the most seasoned gallerygoer's complacency. The ensembles are meant to provoke as well as instruct. By juxtaposing objects of dissimilar traditions, subjects, and media, Dr. Barnes drew attention to specific relationships between and among works in his collection. All aspects of the ensembles-the objects, paintings, frames, and their arrangement-is the work of the collector himself.

Learn more about the Barnes ensembles and method in The Barnes Foundation Handbook.


Build your Ensemble

Collection Highlights

Henri Edmond Cross, Two Women by the Shore, Mediterranean, 1896
Cross
Two Women by the Shore
Pierre-Auguste Renoir, The Seine at Argenteuil (La Seine à Argenteuil), 1888
Renoir
The Seine at Argenteuil
Paul Klee, Sicilian Landscape (Sicilische Landschaft), 1924
Klee
Sicilian Landscape
William James Glackens, The Raft, 1915
Glackens
The Raft
Georges Seurat, Models (Poseuses), 1886-1888
Seurat
Models
Horace Pippin, Supper Time, c. 1940
Pippin
Supper Time